2024 in Review #2: Writing & Film Criticism

A new year is supposed to be about looking forward, rather than looking back, but I was distinctly slack at posting updates across 2024, so here’s a quick round-up of some of the things I’ve done over the last twelve months.

See my previous post for an update on the film curation and programming work I did in 2024, or scroll down to see what I’ve been up to in terms of writing, and other assorted bits of film criticism.

Continue reading “2024 in Review #2: Writing & Film Criticism”

2024 in Review #1: Curation

A banner image compiling several promotional elements from screenings I've worked on this year, including an Instagram post for London Australian Film Society's 2nd Annual Screening of The Castle; a Fred Negro designed poster for The Great Australian Punk Rock Movie Massacre double bill; the 2024 London Australian Film Festival; and the Cinema Rediscovered strand Jeff Barnaby: The Art of Forgetfulness.

A new year is supposed to be about looking forward, rather than looking back, but I was distinctly slack at posting updates across 2024, so here’s a quick round-up of some of the things I’ve done over the last twelve months.

Scroll on for an update on the film curation and programming work I did in 2024, or check out the other 2024 in Review post, which focuses on writing and film criticism.

Continue reading “2024 in Review #1: Curation”

Celebrating Gulpilil: London Australian Film Festival (5-13 November 2022)

So, the 2022 installment of the London Australian Film Festival starts tomorrow (November 5th), with a screening of the absolutely brilliant MY NAME IS GULPILIL (2021) at Regent Street Cinema.

For those who don’t know, the London Australian Film Society and Festival is an absolute labour of love for myself and Laila Dickson (and a handful of wonderful pals who help out in various ways, including Lucy Fen, who designed our flyer and social media campaign!), but that is especially true for me this year, as we pay particular tribute to David Gulpilil. I’ve spent a lot of time over the last few years, academically and otherwise, thinking about Gulpilil, his legacy, and his immeasurable impact on Australian cinema, and this is my tribute to him.

Continue reading “Celebrating Gulpilil: London Australian Film Festival (5-13 November 2022)”