One of the great presences in Australian film, David Gulpilil blazed a trail for Aboriginal representation on screen – from breakout hits Walkabout and Crocodile Dundee to more recent films that blasted away the stereotypes.
The recent death of Yolŋu actor and dancer David Gulpilil was an immeasurable loss for Australian and international cinema. From the revival of feature production in the 1970s, right up to the recent rise of Indigenous cinema, his was a constant yet mercurial presence, a man whose storytelling was unparalleled and whose face could light up any screen.
The recent death of Yolŋu actor, dancer, and icon David Gulpilil Ridjimiraril Dalaithngu brought great sadness, as well as a flurry of celebration, as the world paid tribute to one of Australia’s finest talents. Early in 2021, I made a video essay for the BAFTSS Conference highlighting his centrality to the ‘body politic’ of post-1970s Australian cinema, which also doubled as a tribute of sorts.
Following this, I was invited to review Molly Reynolds’ bold, moving documentary collaboration with the great man, My Name is Gulpilil, for the ‘Off the Page’ section of the History Australia journal. The review has been available as a pre-print for a little while, but I’m pleased to say it has now got a place in Volume 18, Issue 4 of the journal, and is freely available via Open Access.