John Hillcoat’s scabrous frontier western The Proposition (2005) is among the best Australian films of the 21st century, and it was recently given the much deserved Blu-ray/UHD treatment from the wonderful folks at the British Film Institute. The release includes a wonderful 80-page book, to which I was delighted to contribute a short essay, alongside contributions from the film’s director, John Hillcoat, composer Warren Ellis, producer Cat Villiers, star Leah Purcell, and Professor Catriona Elder.Continue reading “NEW WRITING: Booklet Essay for The Proposition (BFI)”
In the coming weeks, I’m honoured to be helping to launch a new online resource dedicated to Australian Indigenous Media, Satellite Dreaming Revisited, in my role as Screening Coordinator at the Menzies Australia Institute at King’s College London.Continue reading “Satellite Dreaming Revisited: Australian Indigenous Media (Screening + Discussion)”
The recent death of Yolŋu actor, dancer, and icon David Gulpilil Ridjimiraril Dalaithngu brought great sadness, as well as a flurry of celebration, as the world paid tribute to one of Australia’s finest talents. Early in 2021, I made a video essay for the BAFTSS Conference highlighting his centrality to the ‘body politic’ of post-1970s Australian cinema, which also doubled as a tribute of sorts.
Following this, I was invited to review Molly Reynolds’ bold, moving documentary collaboration with the great man, My Name is Gulpilil, for the ‘Off the Page’ section of the History Australia journal. The review has been available as a pre-print for a little while, but I’m pleased to say it has now got a place in Volume 18, Issue 4 of the journal, and is freely available via Open Access.Continue reading “NEW PUBLICATION: Review of My Name is Gulpilil in History Australia”
EDIT (11/11): If you missed my talk, but still want to catch it, you can access a recording here.
I have been invited to deliver an online research seminar as part of the Film Studies Departmental Speaker Series at the University of St Andrews next Wednesday, November 10. I’m particularly excited to be sharing some new work on the intersections of cinematic, geological, and colonial timescales in Nic Roeg’s Walkabout, which will eventually feature in the edited collection Screening Australia: Culture and Media in Context, a long overdue book project that I’ve been working on with Dr Peter Kilroy (to be published by Peter Lang next year).Continue reading “Online Public Talk at University of St Andrews”
The first of the 2021/22 Menzies Screenings is already under our belt – a timely, pre-COP26 screening of Nic Wrathall’s vital documentary Undermined: Tales from the Kimberley (2018) in October – and we have two more brilliant films coming up to round out 2021.
The 2021/22 Menzies Screening series comprises three screenings that once again speak to the Menzies Australia Institute’s ongoing theme of ‘Bearing Witness’. From films focusing on issues of vital importance to 21st century Australia, to explorations of its history, and personal journeys of discovery, this series offers a unique range of perspectives on the contemporary nation.
In ‘Bearing Witness’ to the contemporary moment, this screening series – and the accompanying Q&A sessions – offer a chance to re-evaluate our approaches to narratives of historical and contemporary importance to Australia and its place in the world.
Further info on the three screenings can be found below,
but virtual bookings are now open: https://watch.eventive.org/menzies/
Having finally bitten the bullet and gotten a proposal together earlier this year, I’m pleased to say that my first monograph, Ealing Abroad: Post-War British Cinema, Settler Colonialism and Ealing Studios in Australia, will be published in 2023 by BFI/Bloomsbury.
This will be the first book-length study dedicated to the five features that Ealing made in Australia between 1945 and 1960, and seeks to position them as part of a broader trend in post-war British cinema that both embraced, and complicated, Britain’s imperial links in the 1940s and 50s, particularly as it relates to Britain’s former Dominions.
More to follow…
Way back in September 2019, I was invited to participate in a symposium, organised by Prof. Charles Barr and Dr Stéphane Duckett, celebrating the 70th anniversary of Alfred Hitchcock’s much maligned, Australian-set melodrama, Under Capricorn (1949).
Tasked with offering a perspective on the film’s Australian connections, I presented a paper entitled ‘An international production but ‘not much Australian’: authenticity and Australianness in Under Capricorn’, and I’m pleased to say that an extended and revised version of that paper has now been published as part of a special dossier on the film, Under Capricorn: 70 Years On, published by Movie: A Journal of Film Criticism (open access).Continue reading “NEW PUBLICATION: An international production but ‘not much Australian’: authenticity and Australianness in Under Capricorn (Movie: A Journal of Film Criticism)”
After the disappointing delays – and eventual postponement – of the 2019/20 Menzies Screening series, I am delighted to announce that the Menzies Australia Institute will present a new screening + Q&A series, held completely online, over the coming months.Continue reading “Menzies Screening series (Spring 2021)”
On 17 March 2021, I’ll be delivering a free online talk, introducing Ealing Studios’ Australian venture, as part of an excellent series of public events organised by Westminster Libraries. My talk comes a couple of weeks after Jenny Stewart on Ealing’s depictions of post-war London, and there are also talks from Jose Arroyo on Burt Lancaster, Mark Glancy on Hitchcock and Grant, and many more still to be announced.Continue reading “Free Online Talk: Ealing Down Under, 17 March 2021”
In lieu of the 2019/20 Menzies Screening Series – which was due to commence in late March, but was cancelled due to the Covid-19 epidemic – a small cohort of academics, researchers, and friends of the Menzies Australia Institute have been holding a virtual film club, every Tuesday. What started as a casual way to keep in touch early in lockdown has developed into a weekly link to the world beyond our (often) home-bound bubbles. Just prior to the first ‘screening’, we dubbed it the Tyranny of (Social) Distance Film Club; a nod to (and none-too-subtle bastardisation of) that famous phrase, popularised by controversial Australian historian (and History Warrior), Geoffrey Blainey. The ‘Tyranny of Distance’ was a notion that sought to articulate the particular character imposed on Australia by its distance from Europe, and it seemed an apt name for an Australian film club that takes place online, whilst we are all physically distant from our friends, family, and colleagues.