A Busy (Late) October: Screenings Ahoy!

Long time no post (expect, at some point, a recap of a busy summer of screenings, including London Australian Film Festival returning to its summer slot, a bonus Q&A screening of Jaydon Martin’s excellent working class docufiction Flathead, AND a very special event with the one and only, David Wenham).

In the meantime, some belated news about things I have coming up in the latter half of this month, as I host two special screenings for KCL Film Studies (Chilean animation tonight, an Aussie WWI doc on Sat), before heading south-west for Ozploitation and Aussie heist noir.

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“All the Little Devils Are Proud of Hell”: Making sense of The Surfer (2024)

In a burst of procrastinatory creativity, I’ve written a short ‘review’ of the The Surfer (Lorcan Finnegan, 2024). (Originally published over at Letterboxd.com, but reproduced here.)

There’s an apocryphal story about an early Australian screening of Wake in Fright, supposedly attended by one of the film’s stars, Jack Thompson in 1971. Legend has it that local audiences had been rankling at the representations of Australians thrown up on screen, prompting a man to stand up and shout “that’s not us!”, to which Thompson replied: “yes it bloody well is, now sit down!” Maybe I’ve been too long on this side of the planet, but this particular Aussie country boy – who recognised every single frame of Wake in Fright’s sun-scorched and dustblown picaresque, and the violent hospitality that governs small, isolated Australian towns – felt an abiding urge to stand up during The Surfer and make a similar declaration of denial.

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Picnic at Hanging Rock @ 50

This year marks the 50th anniversary of the release of Peter Weir’s landmark film, Picnic at Hanging Rock. And although the so-called Australian New Wave had been gathering pace throughout the first half of the 1970s, it was the international success of this film (and Sunday Too Far Away) that saw this wave begin to break on foreign shores.

That success didn’t come until after its starring role at the 1976 Cannes Film Festival – Sunday Too Far Away had, in fact, already played the previous year to much acclaim – but as the film had its world premiere in Adelaide in August 1975 – this seems as good a year as any to celebrate its 50th anniversary and its legacy within the last five decades of Australian cinema.

As well as an upcoming theatrical re-release via BFI Distribution (using the same Peter Weir and Russell Boyd-approved 4K restoration that was the basis for Second Sight’s recent home media release), the significance of Picnic at Hanging Rock will be celebrated as part of a special symposium being held at the University of Sheffield (and online) in June.

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2024 in Review #2: Writing & Film Criticism

A new year is supposed to be about looking forward, rather than looking back, but I was distinctly slack at posting updates across 2024, so here’s a quick round-up of some of the things I’ve done over the last twelve months.

See my previous post for an update on the film curation and programming work I did in 2024, or scroll down to see what I’ve been up to in terms of writing, and other assorted bits of film criticism.

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2024 in Review #1: Curation

A banner image compiling several promotional elements from screenings I've worked on this year, including an Instagram post for London Australian Film Society's 2nd Annual Screening of The Castle; a Fred Negro designed poster for The Great Australian Punk Rock Movie Massacre double bill; the 2024 London Australian Film Festival; and the Cinema Rediscovered strand Jeff Barnaby: The Art of Forgetfulness.

A new year is supposed to be about looking forward, rather than looking back, but I was distinctly slack at posting updates across 2024, so here’s a quick round-up of some of the things I’ve done over the last twelve months.

Scroll on for an update on the film curation and programming work I did in 2024, or check out the other 2024 in Review post, which focuses on writing and film criticism.

Continue reading “2024 in Review #1: Curation”

New job: Lecturer in Film Studies at King’s College London

A very belated update, since I started back in September, but pleased to say that – after years (on and off) of doing hourly teaching there, dating right back to my PhD days – I’ve now joined the Film Studies department at King’s College London on a (slightly) longer-term basis.

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NEW PUBLICATION: Review of Victoria Herche’s The Adolescent Nation for JACANZS

The open access Journal of Australian, Canadian & Aotearoa New Zealand Studies recently published my review of Victoria Herche’s book The Adolescent Nation: Re-Imagining Youth and Coming of Age in Contemporary Australian Film (Universitätsverlag Winter, 2021) an interesting addition to recent book-length surveys of contemporary Australian cinema.

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New job: Lecturer of Film & Television at University of Bristol

Now that the contract is signed and returned, I’m pleased to say that I’ve joined the brilliant folks at the University of Bristol, where I’ll be Lecturer in Film and Television for the next six ten months little while.

(EDIT: I’m now contracted at UoB until the end of July 2023 January 2024.)

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Celebrating Gulpilil: New Writing – Where to Begin with David Gulpilil (for BFI website)

As part of efforts to ensure David Gulpilil’s life and work is celebrated in the UK, I have written a short feature article for the British Film Institute’s ‘Where to begin’ series, which aims to introduce audiences to a new star or filmmaker, and gives them tips on where to start, where to go next, and what to avoid.

As the BFI’s own blurb puts it:

One of the great presences in Australian film, David Gulpilil blazed a trail for Aboriginal representation on screen – from breakout hits Walkabout and Crocodile Dundee to more recent films that blasted away the stereotypes.

Where to begin with David Gulpilil might have some contentious choices, so feel free to let me know where you’d suggest people start, either in the comments below or via Twitter.

And, of course, don’t forget to keep an eye out for more celebrations of Gulpilil’s life and work, including a short retrospective (and my illustrated talk) at Chichester International Film Festival later this month.