NEW WRITING: Booklet Essay for The Proposition (BFI)

John Hillcoat’s scabrous frontier western The Proposition (2005) is among the best Australian films of the 21st century, and it was recently given the much deserved Blu-ray/UHD treatment from the wonderful folks at the British Film Institute. The release includes a wonderful 80-page book, to which I was delighted to contribute a short essay, alongside contributions from the film’s director, John Hillcoat, composer Warren Ellis, producer Cat Villiers, star Leah Purcell, and Professor Catriona Elder.

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Online Public Talk at University of St Andrews

EDIT (11/11): If you missed my talk, but still want to catch it, you can access a recording here.

I have been invited to deliver an online research seminar as part of the Film Studies Departmental Speaker Series at the University of St Andrews next Wednesday, November 10. I’m particularly excited to be sharing some new work on the intersections of cinematic, geological, and colonial timescales in Nic Roeg’s Walkabout, which will eventually feature in the edited collection Screening Australia: Culture and Media in Context, a long overdue book project that I’ve been working on with Dr Peter Kilroy (to be published by Peter Lang next year).

Special thanks to Dr Zöe Shacklock and everyone at St Andrews Film Studies for the invite – full details and booking link below.

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Menzies Screenings (2021/22)

The first of the 2021/22 Menzies Screenings is already under our belt – a timely, pre-COP26 screening of Nic Wrathall’s vital documentary Undermined: Tales from the Kimberley (2018) in October – and we have two more brilliant films coming up to round out 2021.

The 2021/22 Menzies Screening series comprises three screenings that once again speak to the Menzies Australia Institute’s ongoing theme of ‘Bearing Witness’. From films focusing on issues of vital importance to 21st century Australia, to explorations of its history, and personal journeys of discovery, this series offers a unique range of perspectives on the contemporary nation.

In ‘Bearing Witness’ to the contemporary moment, this screening series – and the accompanying Q&A sessions – offer a chance to re-evaluate our approaches to narratives of historical and contemporary importance to Australia and its place in the world.

Further info on the three screenings can be found below,
but virtual bookings are now open: https://watch.eventive.org/menzies/

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FORTHCOMING: Ealing Abroad to be published by BFI/Bloomsbury in 2023

Having finally bitten the bullet and gotten a proposal together earlier this year, I’m pleased to say that my first monograph, Ealing Abroad: Post-War British Cinema, Settler Colonialism and Ealing Studios in Australia, will be published in 2023 by BFI/Bloomsbury.

This will be the first book-length study dedicated to the five features that Ealing made in Australia between 1945 and 1960, and seeks to position them as part of a broader trend in post-war British cinema that both embraced, and complicated, Britain’s imperial links in the 1940s and 50s, particularly as it relates to Britain’s former Dominions.

More to follow…

POSTPONED: Menzies Screening Series 2019/20

MS-2019:20

UPDATE 12/05/2020: For obvious reasons, this year’s Menzies Screenings were all cancelled, and the series postponed. All things going well, I hope to be able to present an extended version of this themed screening series at the Menzies Australia Institute in 2020/21.

Delayed slightly by a hefty first term workload (and two bouts of UCU strike action), I’m pleased to announce that the Menzies Screening Series is returning to the Menzies Australia Institute at King’s College London for a trio of events in early 2020.

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